As I knew he would be, Dickens was unrelentingly hard on the Americans that Mark and Martin the younger encountered in the US. I can appreciate that Dickens had lots of issues during his own first visit to the US, but he really beat the topic to death. I can recall only one decent American among the dozen or so that figured in the story, and it became quite tedious. It was clear that Dickens had an axe to grind, and I was so relieved when Martin and Mark returned to England, and the real story resumed.
I will say, though, that there is some good writing and more descriptive passages than I remember seeing in the earlier novels, so I think Martin Chuzzlewit marks somewhat of a transition in Dickens's evolution as a writer. However, I think the serialization approach to writing a novel presents problems that revising and editing and cooling off would have mitigated.
Not sure this one will make it on to the reread pile, but now I have only two Dickens novels left to read for the first time, Barnaby Rudge and The Mystery of Edwin Drood.
I will say, though, that there is some good writing and more descriptive passages than I remember seeing in the earlier novels, so I think Martin Chuzzlewit marks somewhat of a transition in Dickens's evolution as a writer. However, I think the serialization approach to writing a novel presents problems that revising and editing and cooling off would have mitigated.
Not sure this one will make it on to the reread pile, but now I have only two Dickens novels left to read for the first time, Barnaby Rudge and The Mystery of Edwin Drood.
As you might have guessed, this book qualifies for the Back to the Classics Challenge for 2021, in the "new-to-you by a favorite author" category.
There is a 1994 BBC mini-series that I may watch to see how the screenwriters dealt with the novel. I think Julia Sawalha (aka Lydia Bennet) is perfectly cast at Merry Pecksniff.


